Banjo movie review: Despite Riteish

Ravi Jadhav's Banjo, a musical show that focuses on a band of Mumbai ghetto young men who throw together a tempest with their voices and instruments, is a bungled up true to life gig that no measure of clamor can restore from its natural idleness.

Lead on-screen character Riteish Deshmukh, in an uncommon solo-saint excursion, puts his best foot forward, yet the film's screenplay is so frightfully flat that every one of his endeavors can just go waste.

Deshmukh, who was the maker of Jadhav's super-fruitful Marathi film Balak Palak, loans his weight to the executive's first Hindi film by assuming the onscreen part of a Dharavi man Taraat, who is a corporator's bouncer by day and a banjo player by night.

Tarrat leads a much sought after four-man band that is well known on Mumbai's religious celebrations circuit.

Socially, these folks have a place with the wrong side of the tracks and need to battle to bring home the bacon. It is just when they deliver music that the blues are blown away.